Wednesday, October 27, 2010

Talking about the weather

As I walked across the yard to this evening's rehearsal, a middle-aged inmate was coming out of medical and walking the same way I was. I said, "Good evening." He, shyly? gruffly? said, "Good evening." I asked what he thought of the brisk wind we had all day, and he said, "I haven't seen a hurricane like this since I left Texas." I laughed and talked about the power being out at our house until noon yesterday. He talked about the two nights of major rain storms. He turned off at the B-side gate and we said good night. Then he stopped, turned, and in a clear, strong voice said, "Thank you." I stopped and asked, "For what?" He replied, "For talking to me like I was a human being." I didn't know how to reply. His comment was so simple and direct and powerful. I smiled and said, "Any time." If I allowed myself to cry inside prisons, I'd have cried for this man.

Friday, October 22, 2010

Locked down -- terribly inconvenient

Rehearsed The Caucasian Chalk Circle from 1-4pm, as usual. The actors were released at four, but returned to our classroom, as the institution was in cease movement. One actor, a longtimer, warned that we probably wouldn't have Spoken Word poetry class tonight because an emergency exercise for staff had begun, and would take hours. How many hours? Lots.

After the inmates were finally called to their housing units, I packed my bookbag, signed out and headed for the door. The lobby officer told me the institution was on lockdown and I could not leave the building. I protested and asked what anyone could do to me for moving across the yard. He assured me that I'd be OK, but he'd be blamed for not "controlling" me and would be in no end of trouble. So I went to the activities office and spent half an hour happily xeroxing poems for next week's Spoken Word class.

The officer came down the hall to the office to tell me I needed to gather my things, that I was going to the Visiting Room. He asked me to wait at the door while he got the chaplain from his office. I asked the two guys at the door, an officer and a white shirt, how soon I could go to dinner. The bowl of Cheerios I had at the motel this morning was wearing off quickly. Was beer and popcorn being served in the Visiting Room? Even pitiful attempts at humor go a long way in prison.

The Visiting Room held sixty or seventy people, all hungry, all cranky, all frustrated. It was 5:00. Some folks, like me, had planned to leave at 4:00; others were scheduled to work until 9:00. Some lucky people had money and got food and drink from the vending machines; others had packed their suppers and ate in front of the rest of us. I knew from experience that the water fountain in the Visiting Room is vile, so I just tried to chill out.

I removed extraneous stuff from my file folders, wrote a letter to my mother, consolidated all my attendance records, and worked on possible cuts to the script. The inmates were called to dinner, house by house, around 6:30; they must, by law, be fed. Staff and VICs, however, are fair game -- no unions at this institution.

Finally, at almost 8:00, we were freed, one by one. I was the second from the last to be called. I feel lucky to be old and experienced -- I hadn't complained, hadn't paced, hadn't lost my cool.

I just got in my car, stopped at McDonald's for french fries and coffee (the Mexican restaurant was still open, but they have nothing on the menu that can be eaten while driving), and drove the almost two hours back to St. Louis. Too tired to eat when I got home, I had a drink, read the paper, and went to bed.

Now I can't sleep. Too many stifled emotions.

Tuesday, October 19, 2010

10 Lessons I've learned from prison actors

Last night at the University City Public Library, I talked about my prison experience. These were my conclusions:

TEN LESSONS I’VE LEARNED FROM PRISON ACTORS

1. Audience members take the experience of a play home with them, which creates a ripple effect in society.

2. Theatre speaks to our deepest emotions.

3. Students teach the teacher.

4. Great literature reflects our lives in a very powerful way.

5. We all have a right to be seen and to behave like people, which theatre can provide.

6. Understanding great works of literature can help people become part of the larger community, even if they have been, or currently are, social outcasts.

7. Theatre can create not only a team, but tolerance, understanding and friendship.

8. Theatre is valuable in and of itself, and as a tool for teaching life skills.

9. Theatre can have great meaning in a person’s life.

10. Theatre can show us we are not alone.

Sunday, October 17, 2010

Fall semester, 2010

We're producing Gogol! Few of my well-educated buddies have ever read Gogol. Last Friday, the men at Northeast Correctional Center in Bowling Green, Missouri, voted to produce G0gol's The Government Inspector over the next two semesters. I'm thrilled.

They're following in the path of the women at WERDCC in Vandalia, Missouri, who will finish this semester a remarkable production of Bertolt Brecht's The Caucasian Chalk Circle.

It's hard to draw a prison audience to Shakespeare, and even harder to draw them for a tragedy. The women can produce Shakespeare's comedies, playing all the roles, men and women, as there is no fear of lesbianism in the population. At the men's prison, I engage actresses from St. Louis to play women's roles. The only men I'd cast as women would be long-term, tough, big and muscled ones; I'm not going to have anyone mocked or abused.